Martha Tuttle, CV
martha.s.tuttle @ gmail dot com
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b. Santa Fe, New Mexico, 1989. Lives in Livingston, MT.
EDUCATION
2015
MFA, Yale School of Art, New Haven, CT
2011
BA, Bard College, Annandale-on-Hudson, NY
SELECTED AWARDS/FELLOWSHIPS/RESIDENCIES
2024–25
Tippet Rise Artist Residency
2022
The Eremo Residency (hosted by Galeria Bonomo), Spoleto, Italy
2019–20
Asian Art Archives Leadership Camp, Asian Art Archives, Brooklyn, NY
The Montello Foundation, Montello, NV
The Rauschenberg Foundation Residency, Captiva, FL
2017–18
Sharpe-Walentas Studio Program, Brooklyn, NY
Søndre Green Farm Residency, Noresund, Norway
2017
A-Z West, Joshua Tree, CA
2016
The Ucross Foundation Artist Residency, Ucross, WY
2014
Donald C. Gallup Research Fellowship, Beinecke Rare Books and Manuscripts Library, Yale University, New Haven, CT
The Josef Albers Foundation Traveling Fellowship, Bolivia, Peru, and Mexico
2012
New Mexico School of Poetics, Ojo Caliente, NM
SELECTED COLLECTIONS
The National Gallery
The Philadelphia Museum of Art, Philadelphia, PA
Smith College Museum of Art, Northampton, MA
The University of San Diego, San Diego, CA
The Museum of Modern Art, New York, NY
Museum of Fine Arts Houston, Houston, TX
Bowdoin College Museum of Art, Bowdoin, ME
SOLO EXHIBITIONS
2024
the bear that longs to touch the ocean, Rice University, Houston, Texas (commissioned sculpture through the Moody Institute)
Touch/Stone, Peter Blum Gallery, New York, New York
2023
Hydra, Teeth of Quartz, Halsey Mckay Gallery, East Hampton, NY
2022
An ear, a hand, a mouth, an offering, an angel, Rhona Hoffman Gallery, NY, NY
Geologies, Guesthouse, Jackson Hole, WY
2021
Wild irises grow in the mountains, Tilton Gallery, New York, NY
Moonrays, Koki Arts Gallery, Tokyo, Japan
Ma/Ma, Lora Reynolds Gallery, Austin, TX
2020
Outlooks: Martha Tuttle, Storm King Arts Center, New Windsor, NY (2020-2021)
Constellations I drew in Nevada, Luce Gallery, Turin, Italy
2019
The Dance of Atoms, Rhona Hoffman Gallery, Chicago, IL
Baccante By The Sea, Geukens & De Vil, Knokke, Belgium
2018
As it resembled a bird, it was as if she could fly, Geukens & DeVil, Antwerp, Belgium
Oracles, Luce Gallery, Turin, Italy
I long and seek after, Tilton Gallery, New York, NY
2016
Metaxu, Tilton Gallery, New York, NY
LECTURES AND SYMPOSIA
2023
Lecture, Bowdoin Museum of Art, Bowdoin, ME
Robert Motherwell Study Day, The Menil Collection, Houston, Texas
2022
Return to the Field book release, Wendy’s Subway, Brooklyn New York
2021
Byron Kim and Martha Tuttle: Art and Nature, Storm King Art Center, New Windsor, NY
2020
The New Social Environment: Martha Tuttle with Susan Harris, The Brooklyn Rail
Lecture for Compositions: Crossing Over, SUNY Purchase, NY
Moderator, The Next American Revolution with Dr. Scott Kurashige, Asia Society, New York, NY
Moderator, The Bridge Called My Back: Writings by Radical Women of Color with Dr. Margo Okazawa Rey, Asia Society, New York, NY
2019
Panel Discussion, Model Minority and Model Majorities, SVA Curatorial Practices, New York, NY
Lecture for Westward: Sculpture & Monumentality in the North American Landscape, SVA, New York, NY
2018
Fiber Optics, panel discussion, Dorsky Projects Curatorial, Queens, NY
Language Weavers, Wendy’s Subway reading series, Bard Graduate Center, New York, NY
Artist Talk, SUNY New Paltz, New Paltz, NY
2017
Panel discussion, The Allen Shields Project, Van Doren Waxter Gallery, New York, NY
2016
Tuesday Evenings at the Modern, Modern Art Museum of Fort Worth, Fort Worth, TX
Agnes Martin: Variations of the Faith Mind, SUNY Purchase, Purchase, NY
Panel discussion, A Life in Art, New Mexico Committee of the National Museum of Women in the Arts, Santa Fe, NM
2014
Becoming Artists: Critique, Originality, and Identity, Yale Art Gallery, New Haven, CT
SELECTED PRESS
“IFPDA Print Fair Review: Jumping Off the Page.” Wall Street Journal. 2023.
“Marina Adams and Martha Tuttle.” Bomb Magazine. 2022.
Pelletier, Chloe. “The Renaissance Nature of Martha Tuttle’s “An ear, a hand, a mouth, an offering, an angel.” New Art Examiner. 2022.
Block, Louis. “Martha Tuttle: Wild Irises Grow in the Mountains.” The Brooklyn Rail. 2021.
Duffy, Owen. “For the Founding of an Institution: Asian Art Archives in America Leadership Camp.” Art & Education. 2021.
Bouhassira, Elza. “New Storm King Art Exhibit Features Glass, Marble, and Glacial History.” Earth Institute. October 7, 2020.
Bury, Louis. “Martha Tuttle’s Sentient Stones at Storm King.” Hyperallergic. September 5, 2020.
Wally, Maxine. “After Months of Online Viewing Rooms, Outdoor Art Exhibitions Fill the Void.” W Magazine. September 1, 2020.
Farago, Jason. “Storm King Reopens for the Art-Starved.” The New York Times. July 9, 2020.
Weaver, Shane. “Storm King is reopening this month with brand-new outdoor artworks.” Time Out. July 1, 2020.
Belblidia, Nora. “Softening Social Distancing: Poets and Listeners Connect through ‘Phone Call’.” Baltimore Art. April 17, 2020.
Leahy, Brian T. “Martha Tuttle.” Artforum. October 2019.
DeLand, Lauren. “Martha Tuttle’s Textiles Merge Modernist Aesthetics with Molecular Theory.” Art in America. September 23, 2019.
Vogel, Maria. “Martha Tuttle Embodies the Natural World.” Art of Choice. January 30, 2019.
MacAdam, Arthur. “Martha Tuttle: I long and seek after.” The Brooklyn Rail. January 7, 2018.
Grabner, Michele. “Martha Tuttle and Henry Chapman: Rhona Hoffman Gallery.” Artforum. November 2017.
Segal, Mark. “Duncan and Burgos at Halsey Mckay.” The East Hampton Star. August 31, 2017.
Kany, Daniel. “Fiber and painting grow closer in exhibit at Able Baker Contemporary.” Portland Press Herald. July 30, 2017.
Schroeder, Nick. “A Show of Support- Able Baker’s ‘Selvedge’ Sees Painting Through a Totally Different Grain.” The Portland Phoenix. July 18, 2017.
“Martha Tuttle.” THE Magazine, April 2016.
Bui, Phong. “Martha Tuttle: Metaxu.” The Brooklyn Rail. February 3, 2016.
Ebony, David. “David Ebony’s Top 10 New York Gallery Shows This Winter.” Artnet news. January 29, 2016.
SELECTED WRITING
Motherwell’s Untitled, 1945. The Brooklyn Rail. 2023.
“I question the innocence of the grid.” In Chelsea Weathers ed. Agnes Martin: Independence of Mind. Santa Fe: Radius Books. 2021.
Gabriel Kruis and Martha Tuttle eds. Return to the Field. Brooklyn: Wendy’s Subway NY. 2021.
“On the ‘our’.” In Francesca Capone ed. Weaving Language: Lexicon. Essay Press. 2022.
“To my Grandmother.” In Christopher K. Hop and Daisy Nam eds. Best! Letters from Asian Americans in the Arts. Brooklyn: Paper Monument Publications. 2021.
“A New Empathetic Lens: Interview with Virginia Lee Montgomery.” BOMB Magazine. 2020.
“Online Sculpture: Virtual Edition.” The Brooklyn Rail. May 2020.
“Is there such thing as Distance?” For guest critic Bill Goldston. The Brooklyn Rail. 2020.
“We are nets that plankton pass through.” Art Asia Pacific. 2020.
Catalogue essay. In Becky Nahom ed. Forms of Touch. Brooklyn: SVA Curatorial. 2017.
“A Bruise is the Momentary at Ease with the Continuous.” Review of Byron Kim’s exhibition Mud Root Ochre Leaf Star. Art Critical. 2017.
“6 September 1986.” Review of Donald Judd Writings. The Brooklyn Rail. 2016.